GONE WEST
Dreaming of a Better Life in America
English exhibition text.
Was it too good to be true? An enormous continent, open for settlement, with countless opportunities to get rich quick. A new world full of possibilities for a better life, where the family’s future could be secured.
The migration stream from Norway to America is considered to have begun in 1825. Between then and 1930, almost 900,000 Norwegians
followed the dream of a better life “over there.” Most of these Norwegians settled in the frontier regions of the Midwest, where land could be
purchased cheaply. The reality they were met with there was often a far cry from what they had been dreaming of. Along with the plentiful land, deadly
epidemics, extreme weather, bandits, and violent conflicts were also, unfortunately, plentiful. What did Norwegian immigrants really dream of – a
livelihood, cheap land, freedom, gold? What, exactly, was the reality like that they encountered on the frontier? How did they do there? And who would suffer because of what these Norwegians were dreaming of?
1.
Dreaming of Land
Norway experienced explosive population growth in the nineteenth century. Increasingly, families had more children who survived into adulthood. Though the practice of primogeniture ensured a future for the oldest son on the farm, what would happen to the other children?
In the western territories of America, more and more land was being made available for settlement by European immigrants. Native Americans were being removed ever westwards. European immigrants filled the role as settlers in the expansion of the “Empire of Liberty.”
This affordable land, which after a while became completely free through the Homestead Act of 1862, was what drew Norwegians out into the “Wild West”. Here, they could bring with them their traditional peasant lifestyle and realise the dream of upwards mobility, either rising from the working classes or conserving their position as independent landholders, thus contributing in different ways to the building of the American nation.
2.
Dreaming of Freedom
The very essence of the American Dream in a single word, the battle cry of the American republic was liberty – a liberty so great for those to whom it applied that it even enabled them to enslave others. In New York, the Statue of Liberty, dressed as she likely was in Norwegian copper from mines of Karmøy, welcomed Norwegian immigrants to the land of freedom.
Long before the Statue of Liberty was built, the author of the Declaration of Independence, Thomas Jefferson, had envisaged the future of the United States as an “Empire of Liberty”, a nation of yeoman farmers settling the entire North American continent. Such dreams resonated well with Norwegian immigrants.
In America, everyone could have their own land and make a living. There were no restrictions on religion, women were freer, everyone could speak their mind, and even ordinary folks could participate in politics. But the immigrants brought with them more than just their household goods when they arrived. The prairie wagons also pushed Norwegian religion and culture onto the Western frontier, and wherever they settled, churches also appeared.
“You ask about America – why yes, it is after all the best place on Earth for women, as here are the most liberal institutions and intellectual culture, and a multitude of prominent women […] all of this makes me want to advise you to come here.”
2.11 Letter from Aasta Hansteen to Agnes Wergeland (excerpt),
dated 1 January 1886, Boston, in Maren Michelet (ed.):
Glimt fra Agnes Mathilde Wergelands liv. Minneapolis,
Minnesota: Folkebladet Publishing Company, 1916.
“Yes, those of our people in the West are staunch folks. When I was in Fargo, for example, the former cottiers of Norway were driving into town dressed in fur coats and with two horses. I had several hundred of such fur-coated fellows in front of me, all of them slightly drunk, but strong, whether I watched them or spoke to them – that is, until they heard that I was an unbeliever. Then they became as children fearing the dark. Believers they were, however drunk they became. They were tightly sealed off and preserved.”
2.16 Bjørnstjerne Bjørnson’s lecture in Chicago, 9 April 1881,cited in the newspaper Norden, 13 April 1881.
3.
Dreaming of a Norwegian Amerika
“As the night fell, he saw a great castle shining in the distance”— the fairy tale of “Soria Moria”, the castle in a land far, far away, was recorded around the same time as emigration intensified. To Ole Bull, the world-famous Norwegian violinist, this “great castle” was America, where he believed a new and better Norway could be created. He founded the settlement of “New Norway”, popularly known as “Oleana” after himself, in Pennsylvania.
Up close, the encounter with American realities proved harsh. Ole Bull’s settlement soon collapsed. However, the dreams of establishing a lasting Norwegian society and culture in America lived on.
Norwegian immigrants wanted to come to America, but they did not want to become “Americans”. They were “Norwegians in America”, and they tried to demonstrate that they were the most American of them all. After all, it had been a Norseman, Leiv Eiriksson, who had discovered America, not Christopher Columbus.
4.
The Profit of Longing
Since the very start of the great migration to America, there was always someone seeking to profit from it. While emigrants were dreaming of a better life, ship owners, railway companies, government agencies, and other speculators dreamt of profiteering from those who were on their way to pursue happiness in the New World.
Immigrants continued to be a source of profit. Along with a quickly emerging market for Norwegianlanguage books and newspapers, novel money-making opportunities were also spotted for those who knew how to play into migrants’ nostalgia and longing. Norwegian news became an attractive import good, and products which reminded the emigrants of the homeland became especially lucrative: postcards, photographs, stereography – the “3D” of the day – along with audio and video recordings helped sustain the longing to see and talk to friends and family once more, as well as to actually keep in touch across great distances.
5.
Dreams That Sank
The first vessel carrying Norwegian emigrants – it could hardly be called a ship – was a “sloop” of little more than fifty feet, called “Restauration”. When it set sail from Stavanger and across the Atlantic in 1825, the sloop had about fifty people onboard.
The passengers eventually made it across the Atlantic, and so did the hundreds of thousands of emigrants who followed, in more or less unenviable conditions, on a high-risk voyage which could easily last for more than two months.
As the nineteenth century progressed, so did maritime technology, and the American Dream was made accessible to ordinary people.
When the “Titanic” set out for New York almost a century after “Restauration”, the journey was supposed to take a mere seven days. But though the level of comfort onboard transatlantic steamers was a significant improvement, the level of safety was, as history also shows, not always consistent.
Nonetheless, steamships did make it easier to travel – and to return, either with golden watches ostentatiously on display, or with empty pockets, despair, and broken dreams.
6.
Dreaming of Gold
In the nineteenth century, it was literally possible to dig money up from the ground. Discoveries of gold across the globe led many to dream of making a fast buck. Consequently, waves of gold fever spread all over the world, leading people to areas including the still sparsely populated parts of North America.
Known in America as “Snowshoe Thompson”, John Torsteinson Rue was among the first Norwegians from Telemark – indeed, among the first Norwegians at all – to come to the Midwest. As gold was discovered in California in 1848, like many others he sought his fortune further west. However, he ended up as a farmer, and attempted to make a living delivering post across the mountains to the mining towns. Jafet Lindeberg travelled from Kvænangen, Troms, Norway to Alaska in 1898 as a reindeer herdsman, along with a herd of reindeer which were supposed to avert a starvation predicted to happen among gold miners in the Klondike. That very year, he found gold and founded the town of Nome. His discovery led to a gold rush, enticing even more gold miners from Northern Norway to come over.
Legendary tales of gold mining pioneers quickly became part of American pop culture – and in this way, too, the immigrants turned into Americans.
7.
Boulevard of Broken Dreams?
New York! The place of arrival for all immigrants. Or “Nev York”, as the city was called by innumerable Norwegian immigrants. And innumerable they were. Of all the Norwegians who had settled in the city, many had never been registered as emigrants. They had set out as sailors in the merchant navy and jumped ship when an opportunity arose. In the period 1866–1915 approximately 70,000 Norwegian sailors absconded, which is almosta tenth of all registered emigrants from Norway.
“The colony that rose from the sea”, it has been called, the settlement of Norwegians in New York. Already in the 1830s, new arrivals could go down to the harbour and shout out in Norwegian and be met by fellow countrymen. Later, thousands of Norwegians would settle down in the city. In the borough of Brooklyn an entire Norwegian ghetto emerged.
Norwegians in New York were not only living in the shadows of official emigration statistics; many also experienced the shadier sides of the city. For many, the dream of a better life in America both began and ended on the streets of New York. The “Promised Land” of the Midwest was still far away. Some ended up in the “Desert of Shur” – a Norwegian Hooverville that arose from a rubbish dump.
The exhibition Gone West. Dreaming of a Better Life in America is developed and produced by the National Library of Norway in partnership with:
Content Manager:
Henrik Olav Mathiesen
Exhibition design:
Plaid and Studio Scamps
Lights:
Light Bureau
Exhibition construction:
Carpenter, Petter Halvorsen AS
Revision and translation:
Nye Tillen AS
Quoted text in the exhibition is rendered in
slightly modernised language, for readability.