{"id":24011,"date":"2026-08-28T07:41:11","date_gmt":"2026-08-28T05:41:11","guid":{"rendered":"https:\/\/www.nb.no\/nettbutikk\/produkt\/women-s-film-histories-in-scandinavia\/"},"modified":"2026-08-30T05:07:36","modified_gmt":"2026-08-30T03:07:36","slug":"women-s-film-histories-in-scandinavia","status":"publish","type":"product","link":"https:\/\/www.nb.no\/nettbutikk\/produkt\/women-s-film-histories-in-scandinavia\/","title":{"rendered":"Women&#8217;s Film Histories in Scandinavia"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/issuu.com\/nasjonalbiblioteket\/docs\/women_s_film_histories_in_scandinavia\">Boka kan leses p\u00e5 nett her<\/a><\/p>\n<p><i>Women\u2019s Film Histories in Scandinavia: Historiography, Screenwriting and Costume<\/i> utforsker kvinners roller i skandinavisk film fra stumfilmperioden og frem til i dag, og setter s\u00f8kelys p\u00e5 to omr\u00e5der der kvinner har v\u00e6rt aktive gjennom hele filmhistorien: kostymedesign og manusarbeid. Dette er arbeid som har hatt forskjellig posisjon i filmkultur og -produksjon. Manusforfatteren har i perioder nytt h\u00f8y status, og til med blitt ansett som filmens skaper. Kostymedesigneren, derimot, har gjerne tilh\u00f8rt en mer usynlig del av filmproduksjonen. I tillegg til diskusjoner rundt kvinners arbeid med manus og kostymedesign, \u00e5pner boken med en del om historiografiske sp\u00f8rsm\u00e5l knyttet til kvinners plass i filmhistorien. Ved \u00e5 bringe disse perspektivene sammen, synliggj\u00f8r boken b\u00e5de kvinners betydning for skandinavisk film og nye m\u00e5ter \u00e5 skrive filmhistorie p\u00e5.<\/p>\n<p>\u2013<\/p>\n<p><i>Women\u2019s Film Histories in Scandinavia: Historiography, Screenwriting and Costume<\/i> explores the role of women in Scandinavian cinema from the silent-film era to the present day. The book centers on two professions in which women have been notably active throughout film history: costume design and screenwriting. These roles occupy different positions in film culture and production, and by bringing them together, the collection highlights women\u2019s significance in film history in both distinct and complementary ways. Screenwriters have at times enjoyed relatively high status and, in certain historical contexts, have even been regarded as the primary creators of a film. Costume designers, by contrast, often belong to the more invisible members of a production team\u2014classified as \u201cbelow the line.\u201d In addition to discussions on costume work and screenwriting, the book includes a section addressing historiographical questions concerning women\u2019s place in film history. By illuminating women\u2019s contributions beyond the conventional focus on directors and actors, <i>Women\u2019s Film Histories in Scandinavia<\/i> presents women\u2019s film history as an alternative way of writing the history of cinema.<\/p>\n","protected":false},"featured_media":24008,"template":"","meta":{"nb_hide_title":false,"nb_breadcrumb_title_override":""},"product_brand":[],"product_cat":[199],"product_tag":[],"class_list":{"0":"post-24011","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-notabene","8":"first","9":"instock","10":"shipping-taxable","11":"purchasable","12":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Women&#039;s Film Histories in Scandinavia - NB Nettbutikk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nb.no\/nettbutikk\/produkt\/women-s-film-histories-in-scandinavia\/\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Women&#039;s Film Histories in Scandinavia - NB Nettbutikk\" \/>\n<meta property=\"og:description\" content=\"Boka kan leses p\u00e5 nett her Women\u2019s Film Histories in Scandinavia: Historiography, Screenwriting and Costume utforsker kvinners roller i skandinavisk film fra stumfilmperioden og frem til i dag, og setter s\u00f8kelys p\u00e5 to omr\u00e5der der kvinner har v\u00e6rt aktive gjennom hele filmhistorien: kostymedesign og manusarbeid. Dette er arbeid som har hatt forskjellig posisjon i filmkultur og -produksjon. Manusforfatteren har i perioder nytt h\u00f8y status, og til med blitt ansett som filmens skaper. Kostymedesigneren, derimot, har gjerne tilh\u00f8rt en mer usynlig del av filmproduksjonen. I tillegg til diskusjoner rundt kvinners arbeid med manus og kostymedesign, \u00e5pner boken med en del om historiografiske sp\u00f8rsm\u00e5l knyttet til kvinners plass i filmhistorien. Ved \u00e5 bringe disse perspektivene sammen, synliggj\u00f8r boken b\u00e5de kvinners betydning for skandinavisk film og nye m\u00e5ter \u00e5 skrive filmhistorie p\u00e5. \u2013 Women\u2019s Film Histories in Scandinavia: Historiography, Screenwriting and Costume explores the role of women in Scandinavian cinema from the silent-film era to the present day. The book centers on two professions in which women have been notably active throughout film history: costume design and screenwriting. These roles occupy different positions in film culture and production, and by bringing them together, the collection highlights women\u2019s significance in film history in both distinct and complementary ways. Screenwriters have at times enjoyed relatively high status and, in certain historical contexts, have even been regarded as the primary creators of a film. Costume designers, by contrast, often belong to the more invisible members of a production team\u2014classified as \u201cbelow the line.\u201d In addition to discussions on costume work and screenwriting, the book includes a section addressing historiographical questions concerning women\u2019s place in film history. 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Dette er arbeid som har hatt forskjellig posisjon i filmkultur og -produksjon. Manusforfatteren har i perioder nytt h\u00f8y status, og til med blitt ansett som filmens skaper. Kostymedesigneren, derimot, har gjerne tilh\u00f8rt en mer usynlig del av filmproduksjonen. I tillegg til diskusjoner rundt kvinners arbeid med manus og kostymedesign, \u00e5pner boken med en del om historiografiske sp\u00f8rsm\u00e5l knyttet til kvinners plass i filmhistorien. Ved \u00e5 bringe disse perspektivene sammen, synliggj\u00f8r boken b\u00e5de kvinners betydning for skandinavisk film og nye m\u00e5ter \u00e5 skrive filmhistorie p\u00e5. \u2013 Women\u2019s Film Histories in Scandinavia: Historiography, Screenwriting and Costume explores the role of women in Scandinavian cinema from the silent-film era to the present day. The book centers on two professions in which women have been notably active throughout film history: costume design and screenwriting. 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